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Again Alice in Chains La Media Vuelta Luis Miguel

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1992 studio album by Alice in Bondage

Dirt
Dirt (Alice in Chains album - cover art).jpg
Studio anthology past

Alice in Chains
Released September 29, 1992 (1992-09-29) [one]
Recorded April–July 1992[2]
Studio
  • Eldorado (Burbank)
  • London Bridge (Seattle)
  • 1 on One (Los Angeles)
[2]
Genre
  • Grunge[iii] [iv]
  • heavy metallic[v]
  • alternative metal[six]
  • alternative rock[seven]
Length 57:37
Characterization Columbia
Producer
  • Dave Jerden
  • Alice in Chains
Alice in Chains chronology
Sap
(1992) 		Dirt
(1992) 		Jar of Flies
(1994)
Singles from Dirt
  1. "Would?"
    Released: June xxx, 1992
  2. "Them Bones"
    Released: September eight, 1992
  3. "Angry Chair"
    Released: December 6, 1992
  4. "Rooster"
    Released: March 15, 1993
  5. "Downwards in a Hole"
    Released: August thirty, 1993

Dirt is the second studio album by the American rock band Alice in Chains, released on September 29, 1992, through Columbia Records. Peaking at No. 6 on the Billboard 200 chart, the anthology was as well well received by music critics. It has since been certified four-times platinum by the RIAA and gone on to sell five million copies worldwide, making Clay the ring's highest selling album to date.[viii] It was also the band's last anthology recorded with all four original members, as bassist Mike Starr was fired in January 1993 during the bout to support the album.[ix] [10] The album spawned five singles: "Would?", "Them Bones", "Angry Chair", "Rooster", and "Down in a Pigsty", all with accompanying music videos. Dirt was nominated for a Grammy Honor for All-time Hard Rock Performance. The music video for "Would?" was nominated for an MTV Video Music Laurels for All-time Video from a Film, as the song was featured on the soundtrack to Cameron Crowe's 1992 picture show Singles.

The songs on the album focused on depression, pain, anger, anti-social behavior, relationships, drug addiction (primarily heroin), war, death, and other emotionally charged topics. The rail "Iron Gland" features Tom Araya from Slayer on vocals. Virtually of the music from the anthology was written past guitarist Jerry Cantrell, but for the outset time vocalist Layne Staley wrote two songs by himself ("Detest to Feel" and "Angry Chair"), both besides featuring Staley on guitar. Rolling Stone listed the album at No. 26 on its list of the 100 Greatest Metal Albums of All Time.[11] Clay was included in the 2005 volume 1001 Albums You Must Hear Before You Die. It was voted "Kerrang! Critic's Choice Album of the Year". Guitar World named Clay every bit the best guitar album of 1992. Loudwire named it as ane of the best Metal albums of the 1990s, and Rolling Stone ranked it at No. 6 on its list of "50 Greatest Grunge Albums" in 2019.

Alice in Chains' 4th studio anthology, Blackness Gives Manner to Blue, was released on the 17th anniversary of Dirt, on September 29, 2009.

Background and recording [edit]

The recording of Clay began in the spring of 1992. Producer Dave Jerden, who had previously worked with the band on their debut, Facelift, wanted to work with them once again. He admired vocalist Layne Staley's lyrics and voice, and pb guitarist Jerry Cantrell'southward guitar riffs. The track "Would?" produced, engineered and mixed past Rick Parashar, was recorded before the anthology, and showtime appeared on the soundtrack to the 1992 pic Singles.[12] Dirt was recorded at Eldorado Recording Studio in Burbank, California, London Bridge Studio in Seattle, and One on One Studios in Los Angeles from Apr to July 1992.[ii]

Dirt was recorded during the Los Angeles riots that erupted following the acquittal of four LAPD officers caught on photographic camera beating unarmed blackness motorist Rodney Rex.[13] The riots started on the first twenty-four hours of recording. The band was watching TV when the verdict for the incident was announced.[xiii] Jerry Cantrell was in a store buying some beer when a human came in and started looting the place. Cantrell likewise got stuck in traffic and saw people pulling each other out of their cars and beating them.[14] The band tried to go out of the town without getting injure while LA was protesting against police brutality. They took Slayer vocalist Tom Araya with them and went to the Joshua Tree desert for four or five days until things calmed down, and so moved back into the studio and started recording the album.[13]

When recording the album, Staley had previously checked out of rehab and speedily went dorsum to using heroin.[12] Staley later went common cold-turkey on his own while reading The Bad Identify, by horror novelist Dean R. Koontz.[12] Jerden later said that he was told Staley felt animosity toward him dating back to the Clay sessions due to Jerden repeatedly recommending to Staley that he become sober at the time.[fifteen] Jerden said, "Patently he got all mad at me [during the Dirt sessions] ... And what's my task as a producer? To produce a record. I'm not getting paid to exist Layne's friend."[xv]

Staley was not the but i who went through heavy drug employ; drummer Sean Kinney and bassist Mike Starr were as well struggling with alcohol addiction.[16]

Dave Jerden got the anthology's famous guitar tone by blending 3 unlike amps - a Bogner Fish preamp for the low end, a Bogner Ecstacy for the mid frequencies, and a Rockman Headphone amp for the high frequencies.[17]

Music and lyrics [edit]

With songs written primarily on the route, the material is darker than Facelift.[19] "We did a lot of soul searching on this anthology. There's a lot of intense feelings."[19] Cantrell said, "We deal with our daily demons through music. All of the poison that builds upward during the day we cleanse when we play".[xx] Drug use was front and eye as a lyrical theme on the anthology. Three tracks ("Sickman", "Junkhead" and "God Smack") specifically reference heroin employ and its effects.[21]

Staley revealed that the album is semi-conceptual and that at that place are two basic themes in it. The first theme is about "dealing with kind of a personal ache and turmoil, which turns into drugs to ease that pain, and being confident that that was the answer in a way. Then after on the songs start to slip downwards closer and closer to hell, and then he figures out that drugs were not, and are non, the mode to ease that pain. Basically, it's the whole story of the last 3 years of my life." Staley described the other theme every bit being about "painful relationships and involvements with persons."[21]

Staley later expressed regret nearly the lyrical content of some songs on Dirt, explaining, "I wrote most drugs, and I didn't think I was existence unsafe or devil-may-care past writing about them ... I didn't desire my fans to think that heroin was cool. But then I've had fans come up to me and requite me the thumbs upward, telling me they're high. That's exactly what I didn't want to happen."[22]

Cantrell said in 2013: "That darkness was always part of the band, but it wasn't all most that. There was always an optimism, even in the darkest shit we wrote. With Clay, it'due south not similar we were proverb 'Oh yes, this is a adept thing.' It was more of a warning than anything else, rather than 'Hey, come and cheque this out, it'south great!' Nosotros were talking well-nigh what was going on at the time, just within that there was e'er a survivor element – a kind of triumph over the darker elements of being a human beingness. I all the same think we take all of that intact, only maybe the percentage has shifted."[23]

Cantrell told RIP magazine in 1993 that not all of the lyrics have drug references:

I think "Sickman" is not that bad. I thought most of the hassle would come from "Junkhead" and "Godsmack". Those songs are put in sequence on the second side those five songs from "Junkhead" to "Angry Chair" for a reason: Considering it tells a story. It starts out with a really young naive mental attitude with "Junkhead", like drugs are peachy, sex activity is great, rock'n' roll, yeah! Then, as information technology progresses, there'due south a little bit of growing up and a little flake of a realization of what it's about, and that own't what it's well-nigh. I've been using this phrase a lot, but information technology makes a lot of sense: Information technology'south really piece of cake to die; it'south actually hard to live. Information technology takes a lot of guts to live. It doesn't take a lot of guts to dice. Those 5 and "Sickman" are the only ones talking about that blazon of mentality [drugs]. The rest of the stuff is not like that at all. "Rain When I Die" is a song to a girl. There's a lot of stuff on information technology. A adept portion of it is a story, and it's meant to be that way. Information technology'due south kind of overwhelming and unpleasant at times, unsettling maybe, but that's why all those songs are together. Even if it'southward disturbing, it'due south not something anybody else needs to worry well-nigh or the style somebody else needs to live their life.[24]

In the liner notes of 1999'due south Music Banking company box set drove, Cantrell cited "Junkhead" and "God Smack" equally "the most openly honest" songs about drug use.[10]

Cantrell said he wrote "Them Bones" about "mortality, that one of these days we'll end upward a pile of bones."[ten] He told RIP magazine in 1993: "'Them Basic' is pretty cut and stale. Information technology'southward a piddling sarcastic, only it'southward pretty much nearly dealing with your bloodshed and life. Everybody's going to die someday. Instead of existence afraid of it, that's the mode it is: so savour the time you've got. Live every bit much as you tin, have as much fun as possible. Confront your fear and alive. I had family unit members die at a fairly early age; so I've always had kind of a phobia nigh it. Death freaks me out. I call back it freaks a lot of people out. It's the end of life, depending on your views. Information technology's a pretty scary affair. "Them Bones" is trying to put that thought to rest. Utilize what you lot have left, and use information technology well."[24]

Cantrell was inspired to write "Dam That River" afterward a fight he had with Sean Kinney, in which Kinney broke a coffee table over his caput.[24] [ten] The lyrics to "Rain When I Die" were written by Cantrell and Staley about their respective girlfriends.[21] "Sickman" came together subsequently Staley asked Cantrell to "write him the sickest melody, the sickest, darkest, most fucked up and heaviest thing [Cantrell] could write."[x]

"Rooster" was written by Cantrell for his father, Jerry Cantrell Sr., who served in the Vietnam War and his babyhood nickname was "Rooster".[25] [10] Cantrell described the song equally "the outset of the healing process between my Dad and I from all that harm that Vietnam acquired."[10]

Discussing the title track "Clay", Cantrell stated that "the words Layne put to information technology were so heavy, I've never given him something and not idea information technology was gonna be the virtually bad-assed affair I was going to hear."[10] Staley said he wrote the vocal "to a certain person who basically buried my donkey".[21]

The 43-second "Iron Gland" was adult out of a guitar riff that Cantrell would play that bellyaching the other ring members, so he created the song (adding in a reference to Black Sabbath'due south "Iron Homo") and promised to never play the guitar riff over again,[10] although the track is played as intro music in concert.[26] It features Tom Araya of thrash metal band Slayer on vocals, as well every bit Layne Staley. "Detest to Feel" and "Angry Chair" were both composed solely by Staley, who also played guitar on both tracks,[27] and Cantrell has expressed his pride in seeing Staley abound as a songwriter and guitarist.[10]

"Down in a Hole" was written by Cantrell to his long-time girlfriend, Courtney Clarke.[28] Cantrell explained the vocal in the liner notes of 1999'southward Music Bank box fix: "["Downward in a Hole"]'s in my top iii, personally. Information technology's to my long-time dearest. It'southward the reality of my life, the path I've chosen and in a weird style it kind of foretold where we are correct at present. It's hard for usa to both understand...that this life is non conducive to much success with long-term relationships."[ten]

The anthology'southward final track, "Would?", was written by Cantrell as a tribute to his friend and tardily lead vocaliser of Mother Love Bone, Andrew Woods,[29] who died of a drug overdose in 1990.[30] Cantrell said the song is also "directed towards people who laissez passer judgments."[10]

Packaging and title [edit]

The album's encompass art features a woman half cached in a cracked desert landscape. The encompass was photographed by Rocky Schenck, who too created the paradigm along with the album'southward art manager, Mary Maurer.[31] It was the band'southward thought to have a nude woman one-half-buried in the desert for this comprehend, and she could be either dead or alive.[31] The band discussed the type of woman they wanted and Schenck began casting shortly after. Schenck submitted a photo of model/extra Mariah O'Brien and the band chose her.[32]

The cover shoot took place at Schenck'southward Hollywood studio on June 14, 1992, with the supervision of drummer Sean Kinney.[33] Afterward the 8 hour photo session, O'Brien went to the bathroom and left her wig embedded in the dirt. Schenck then snapped a few photos, which were later on used for the 1999 box fix Music Banking company.[31]

For many years, fans believed that the model on the comprehend was Staley'southward and then-girlfriend, Demri Parrott, but Schenck revealed to Revolver Magazine in 2011 that the girl was actually Mariah O'Brien, with whom he had previously worked on the comprehend of Spinal Tap's single "Bitch School".[31] The magazine also published behind the scenes photos from the shoot featuring O'Brien.[31] Schenck told Revolver Magazine:

Everyone always asks if that is Demri Parrott on the "Clay" Cover. I think Demri's name might have been mentioned as a possible model in one case or twice, but it was never a serious consideration.[31]

In an interview with the Canadian mag Yard.Due east.A.T. in December 1992, Layne Staley said most the cover:

This album comprehend... I like to refer to it equally "revenge". The song 'Dirt' was written to a certain person who basically cached my ass, then the adult female on the album embrace is kinda the portrayal of that person being sucked downward into the dirt (laughs), instead of me. The flick is the spitting image of her, and that wasn't even planned. Actually, I was pretty angry about information technology when I first saw it – she'due south not happy near it either (laughs). It was real eerie.[21]

The cover was referenced on the music video for Alice in Chains' 2009 unmarried "A Looking in View". At the 6:55 marker of the video, a woman (played by Sacha Senisch) is seen lying on a cracked desert floor similarly to Dirt's cover.[34] "A Looking in View" was featured on Alice in Chains' fourth studio album, Blackness Gives Way to Blueish, released exactly 17 years afterward Dirt, on September 29, 2009.[35]

Release and commercial performance [edit]

Upon its release in September 1992, Dirt peaked at number six on the Billboard 200 and charted for 102 weeks,[36] [37] ending at number 196 in the calendar week of September 24, 1994.[38] Dirt granted Alice in Chains international recognition, and the album was certified iv times platinum status in the U.s.,[39] platinum status in Canada[40] and golden status in the Great britain.[41] The album had sold 3,358,000 copies in the United States every bit of 2008.[42] A remastered reissue of the album was released on vinyl on November 23, 2009.[43] [44]

Reception and legacy [edit]

Professional person ratings
Review scores
Source Rating
AllMusic [45]
Chicago Tribune [46]
Christgau'due south Consumer Guide B[47]
Encyclopedia of Pop Music [48]
Entertainment Weekly A[49]
Kerrang! v/five[50]
Q [51]
The Rolling Stone Album Guide [52]
Spin Alternative Record Guide 7/10[53]
Vox eight/10[54]

Dirt received critical acclamation, and is considered by many critics and fans alike equally the group's best album. In a retrospective review, Steve Huey of AllMusic said "Dirt is Alice in Bondage' major artistic argument and the closest they ever came to recording a flat-out masterpiece. It's a primal, sickening howl from the depths of Layne Staley's heroin habit, and one of the well-nigh harrowing concept albums ever recorded. Not every song on Clay is explicitly nearly heroin, simply Jerry Cantrell's solo-written contributions (nearly half the album) effectively maintain the thematic coherence—virtually every vocal is imbued with the morbidity, cocky-disgust, and/or resignation of a self-aware yet powerless addict."[45]

Michael Christopher of PopMatters praised the album saying "the record wasn't celebratory by any means – just you'll exist hard pressed to discover a more brutally true piece of work laid downwardly – and that's why information technology volition e'er be i of the greatest records ever fabricated."[55] Chris Gill of Guitar Globe called Dirt "huge and foreboding, yet eerie and intimate," and "sublimely dark and brutally honest."[56] Don Kaye of Kerrang! described Clay every bit "brutally truthful and a fiercely rocking testimonial to human endurance".[50]

Dirt is often considered as ane of the almost influential albums to the sludge metallic subgenre, which fuses doom metal with hardcore punk.[55] [57] It was voted "Kerrang! Critic's Choice Album of the Year" for 1992.[58]

Dirt included the top-30 singles "Would?", "Them Basic", "Angry Chair", "Rooster", and "Downward in a Hole", all of which had accompanying music videos. The anthology remained on Billboard's charts for nearly 2 years.[59] [sixty]

At the 1993 Grammy Awards, Clay received a nomination for Best Difficult Rock Operation.[61] The band as well contributed the song "Would?" to the soundtrack for the 1992 Cameron Crowe flick Singles, whose video received an honour for Best Video from a Film at the 1993 MTV Video Music Awards.[62]

Clay was too included in the 2005 volume 1001 Albums You Must Hear Before You Die.[63]

In 2008, Dirt was ranked as 5th best anthology in the last two decades by Shut-Upwards magazine.[64]

In 2011, Joe Robinson of Loudwire named Dirt equally one of the best metallic albums of the 1990s, alongside other albums such as Megadeth's Rust in Peace and Tool's Ænima, writing "In the boxing betwixt metallic and grunge, Alice in Bondage are a rare ring that is embraced by fans of both genres. The nearly metal of the Seattle bands, they were marketed as metal for 1990's 'Facelift,' then touted as grunge for 1992's 'Dirt.' The band members themselves didn't bother much with labels, they simply churned out some of the finest alt-metal with classics similar 'Would?,' 'Rooster' and 'Them Bones' leading their charge all the way to the headlining spot on Lollapalooza '93."[6]

In October 2011, the album was ranked number one on Guitar World magazine's top ten list of guitar albums of 1992, with The Offspring'due south Ignition in second identify and Bad Organized religion's Generator in 3rd identify.[65]

In June 2017, Clay was ranked at No. 26 on Rolling Rock's listing of the "100 Greatest Metal Albums of All Time".[11] In April 2019, Rolling Stone ranked the anthology at No. 6 on its list of the "50 Greatest Grunge Albums".[66]

Tour [edit]

Staley performing with Alice in Chains in Boston in 1992

Alice in Chains was added equally openers to Ozzy Osbourne'due south No More Tours tour. Days before the tour began, Staley broke his foot in an ATV blow, forcing him to use crutches on stage.[56] During the tour, Starr was fired post-obit the Hollywood Rock concert in Rio de Janeiro on January 22, 1993 and was replaced by old Ozzy Osbourne bassist Mike Inez.[67] [68]

During June–August 1993, Alice in Chains joined Primus, Tool, Rage Confronting the Machine and Babes in Toyland for the culling music festival Lollapalooza, which was the last major tour the band played with Staley.[69]

Track listing [edit]

"Sickman", "Junkhead", "Dirt" and "God Smack" are credited to Cantrell/Staley with no specification for lyrics or music. "Rain When I Die" is credited to Cantrell/Staley/Kinney/Starr,[seventy] and it was later stated that Cantrell and Staley wrote the lyrics.[21]

No. Championship Author(s) Length
ane. "Them Basic" Jerry Cantrell 2:thirty
2. "Dam That River" Cantrell 3:09
3. "Rain When I Dice"
  • Cantrell
  • Layne Staley
  • Sean Kinney
  • Mike Starr
 half dozen:01
4. "Down in a Hole[I]" Cantrell five:38
5. "Sickman"
  • Cantrell
  • Staley
 five:29
6. "Rooster" Cantrell 6:15
7. "Junkhead"
  • Cantrell
  • Staley
 5:09
8. "Dirt"
  • Cantrell
  • Staley
 5:xvi
nine. "God Smack"
  • Cantrell
  • Staley
 3:56
10. "Intro (Dream Sequence)/Atomic number 26 Gland[Two]" (sometimes unlisted or listed as "Untitled")
  • Tom Araya
  • Cantrell
 0:43
11. "Detest to Experience" Staley 5:15
12. "Aroused Chair" Staley 4:48
13. "Would?" Cantrell 3:28
Total length: 57:37

^ I On early U.S. and Canadian pressings, "Down in a Hole" appeared as track 12 placed between "Angry Chair" and "Would?".[71] [72] Current U.Southward. and Canadian editions of the CD and the Vinyl have "Downwardly in a Hole" as the fourth track, located between "Rain When I Die" and "Sickman",[ane] [73] [43] which was the rail listing that the band originally intended earlier the record visitor changed the order.[24] [21]

^ Ii Runway ix or 10, "Iron Gland", appears without a title on the album. The title appeared on the compilations Nothing Safe and Music Banking concern. The iTunes Store lists information technology incorrectly every bit "Iron Human being". Before the name "Atomic number 26 Gland" was revealed, it was labeled in some online databases as "Intro (Dream Sequence)". On editions in which "Downwards in a Hole" is track iv, "Iron Gland" is track 10. The track is unlisted on some versions of the album, and some editions remove the rails completely or merge it with "Hate to Feel". On the back cover of the edition in which "Iron Gland" is track 9, "Detest to Feel", "Aroused Chair", "Downwards in a Hole" and "Would?" are listed from 9–12. However, when the CD is played, the songs are on tracks 10–thirteen.

Outtakes [edit]

The songs "Fright the Voices" and "Lying Flavour" were featured on Alice in Chains' 1991 demo tape that featured songs from Sap and Dirt.[10] Both of these songs were later included on the band'south 1999 box set, Music Depository financial institution. "Fear the Voices" was released as a single in 1999 to promote Music Bank and became a radio hit that same twelvemonth. Regarding the two songs, Cantrell said that they came from a time when the band was even so developing its sound.[10]

Personnel [edit]

Alice in Chains

  • Layne Staley – lead vocals, rhythm guitar on "Detest to Feel" and "Angry Chair"
  • Jerry Cantrell – co-atomic number 82 vocals on "Down in a Hole", "Aroused Chair" and "Would?", backing vocals, atomic number 82 guitar, acoustic guitar on "Downward In a Hole"
  • Mike Starr – bass
  • Sean Kinney – drums

Additional personnel

  • Tom Araya – vocals on "Iron Gland"

Technical personnel

  • Alice in Bondage – production
  • Dave Jerden – production (except on "Would?"), mixing
  • Rick Parashar – production on "Would?"
  • Bryan Carlstrom – engineering science
  • Annette Cisneros – engineering, mixing
  • Ulrich Wild – engineering
  • Steve Hall and Eddy Schreyer – mastering
  • Mary Maurer – art direction, visual effects
  • Doug Erb – embrace design
  • David Coleman – logo
  • Layne Staley – dominicus logo/icons
  • Rocky Schenck – photography

Charts [edit]

Certifications [edit]

References [edit]

  1. ^ a b "Dirt CD". Warner Music. Archived from the original on July 22, 2018. Retrieved July 22, 2018.
  2. ^ a b c de Sola, David (Baronial four, 2015). Alice in Chains: The Untold Story. Thomas Dunne Books. pp. 168–180. ISBN978-1250048073.
  3. ^ "10 All-time Grunge Bands of All Fourth dimension". Loudwire . Retrieved September 23, 2015.
  4. ^ "Alice In Chains' 'Clay,' the Era's Almost Nihilistic Album, Turns 25". Billboard . Retrieved October 17, 2018.
  5. ^ "The 100 Greatest Metallic Albums of All Time". Rolling Stone . Retrieved January 11, 2019.
  6. ^ a b Robinson, Joe (November 9, 2011). "Top 11 Metal Albums of the 1990s". Loudwire.
  7. ^ "50 Best Alternative Albums of the '90s". MetroWeekly. Apr four, 2014.
  8. ^ Pattillo, Alice (September 29, 2019). "Clay at 27: Why Alice in Chains' second anthology remains their magnum opus". Metallic Hammer.
  9. ^ Archived at Ghostarchive and the Wayback Automobile: "Alice in Bondage' Mike Starr'south Last Interview – Loveline (February sixteen, 2010)". YouTube.
  10. ^ a b c d eastward f g h i j k fifty m north Music Depository financial institution (album notes). Alice in Chains. Columbia Records. 1999. 69580. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  11. ^ a b "The 100 Greatest Metal Albums of All Time". Rolling Stone. June 21, 2017. Retrieved October 15, 2019.
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  13. ^ a b c Lore, Mark (June vii, 2018). "Alice In Chains' Jerry Cantrell Revisits the Ring's Five Records". Noisey . Retrieved July 22, 2018.
  14. ^ "10 Things You lot Didn't Know About Alice in Chains' 'Clay'". Revolver. September 25, 2017. Retrieved July 22, 2018.
  15. ^ a b Fischer, Blair R. (September 4, 1998). "Malice in Chains". Rolling Stone . Retrieved Jan 30, 2008.
  16. ^ de Sola, David (August four, 2015). Alice in Chains: The Untold Story. Thomas Dunne Books. pp. 171–178. ISBN978-1250048073.
  17. ^ "Alice In Chains – Dirt – The Gear Behind The Tone". KillerGuitarRigs.com. May 23, 2020.
  18. ^ "Would? by Alice in Chains". Setlist.fm . Retrieved July 22, 2018.
  19. ^ a b Turman, Katherine (February 1993). "Digging Dirt". RIP.
  20. ^ a b c d e f 1000 Drew Masters (December 1992). "Choice Cut of the Month". M.E.A.T. No. 39. p. 18.
  21. ^ Wiederhorn, Jon (Feb 8, 1996). "To Hell and Dorsum". Rolling Rock. Archived from the original on Apr five, 2006. Retrieved January 30, 2008.
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  28. ^ Archived at Ghostarchive and the Wayback Machine: "Jerry Cantrell wrote Alice in Chains' "Would?" as a tribute to Andrew Woods from Mother Beloved Os". YouTube. July 8, 2017. Retrieved November 4, 2017.
  29. ^ Appelo, Tim (July xiv, 1992). "Heroin's Tragedy". Entertainment Weekly.
  30. ^ a b c d east f Bennett, J. (January 1, 2011). "Alice In Bondage' 'Dirt': The Story Backside the Embrace Fine art". Revolver Magazine . Retrieved July 22, 2018.
  31. ^ de Sola, David (August four, 2015). Alice in Bondage: The Untold Story. Thomas Dunne Books. p. 179. ISBN978-1250048073.
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External links [edit]

  • Clay at Discogs (list of releases)
  • Dirt at AllMusic

allmonpentor.blogspot.com

Source: https://en.wikipedia.org/wiki/Dirt_(Alice_in_Chains_album)

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